#R MUTT 1917 FREE#

Variations on this theme are as different as the work of the individual artists themselves. Mutt / 1917.” Even those who elected to use the form of a urinal as a point of departure have introduced significant variations, as in the case of Sherrie Levine who cast a found urinal in bronze Douglas Vogel who purchased one manufactured in Russia and created a name tag in Cyrillic Pablo Echaurren, who covered its surface with decorative grotesques that evoke his South American ancestry or Richard Pettibone, who rendered multiple images of the photograph taken by Alfred Stieglitz that was reproduced the urinal in The Blind Man, inspired by the fact that he had himself experienced problems with vision.

Only one-Elaine Sturtevant-has made what could be considered a straightforward appropriation, selecting a manufactured urinal and signing it “R. Each artist approaches the work in very different ways, in most cases, reflecting their own prior aesthetic preoccupations. The present exhibition celebrates the momentous implications of that gesture in the work of thirty-one artists, all of whom consciously pay homage to the precedent of Duchamp’s infamous Fountain (as the urinal was titled). Mutt was a pseudonym concocted by Marcel Duchamp, whose submission of this work resulted in changing the very definition of art, an explosive disruption in the philosophy of aesthetics that continues to reverberate within the contemporary art world to this day. In accordance with the rules of the organization-which was to have no prizes and no jury-all works that were submitted to the exhibition would be displayed, but a glistening white porcelain urinal submitted by a man identified only as Richard Mutt was unceremoniously excluded from the show, the hanging committee having objected to its status as a work of art. Naumann Fine Art on Monday, April 10, 2017, marking the 100th anniversary (to the day) of the opening of the First Exhibition of the Society of Independent Artists in New York City. If you do not agree, do not access this Portal.“ Marcel Duchamp Fountain: An Homage” opens at Francis M. By accessing this Portal, you agree to be bound by PMA’s Terms of Use and Cookie Policy. PMA uses cookies to provide and improve services on this Portal. If you do not agree, do not access this Portal. PMA shall not be responsible for and disclaims any and all liability for loss, liability, damage of any kind, injury, or expense of any nature which may be suffered by any user or any third party directly or indirectly arising from their access to and use of this Portal and its contents.īy accessing this Portal, you agree to be bound by these terms and restrictions. Please note that users are responsible for determining whether their use is fair and compliant with applicable copyright laws. The Philadelphia Museum of Art (“PMA”) does not warrant that use of the works and content displayed in this Portal will not infringe the rights of third parties. Users must comply with the Image Rights and Requests policy provided on the “About” page of the Portal. All intellectual property rights are reserved by the respective rights holders. Commercial use or exploitation of works on this Portal is strictly prohibited. Unauthorized or unlawful reproduction, redistribution, or use of any works on this site is strictly prohibited.

Use of works on this Portal may be restricted by applicable copyright laws of the United States, France, or other nations. Before entering the Portal, you must review and acknowledge the following terms: Works on this Portal are covered by copyright laws of the United States, France, or other countries, as applicable.

#R MUTT 1917 FREE#

This Portal unites a number of museum collections and archival repositories in order to provide a free online research tool to discover the life and work of Marcel Duchamp.

R mutt 1917